dismantled for creation,text after the disassembled text
park jongtae of the art world-
1)direction of art
park jongtae is a high awareness writers in a variety of three- dimensional work using a closed piece of paper.
He oetgo to observe things with extraordinary attention from young artists childhood,it seach the day to dismantle the structure of things that are a constant look reveals another figurative elements oetda.
For instance, one a blue glass liquor bottle wrapped in a towel crushing claimed, then attached to the crushed shape as the panel haya another meaning
associated works,untong-type three- dimensional artwork created by finely crushing the wire agglomeration the pieces again. including a smash or a box or a piece of wood assembled with a unique sculpture,the artist has been pursuing a new depth and meaning of the plastic through a
process of rebuilding to deprive the purpose of things.
As can be seen in today's new trends in the field of architecture to reveal the new space has already been dismantled,it built a cement wall water livestock,
Art Direction will the artist creates a sculpture as a sculptor, while the overthrow of the basic acts are heading toward yet another expose the back side of the objects and structures.
Act makes it more than i pray for this writer it can be said that contact with the context that recreated after crashing behavior.
2)Spread shredded paper as a medium of art, reconstruction of knowledge and information.
Photographer crashes chopped put in a crusher various books and documents.
among these it is also included art, social sciences, history, political science, as well the books, literary books and a number of government papers and newspaper with ads fingers.
such build up individually on the panel with a modified paint, water-based adhesive and feed the shredded paper.
because the hand only direct jobs,but also part of its thickness and uneven yeocheol do, this also reflects the artist's intention.
anyway,as reminded by the drive trail through the heart of the reason for the hands,let the intent to induce viewers to enjoy the artists work and mental composure by mass shipment of cake piled on the ground floor of the paper is to also implied.
it is a world of work that can be contect author himself also as conducted between the exposed steel box stacked over the job.
The initial work of such paper work and also the work place to the disposal of library books as objects,piling shredded paper on it,on the other hand the chaelpan digging the groove on the number of superimposed,,he works on a bud shaped necks to look alsonoticeable.
sprout above board book is also a message of hope to rebloom another by the knowledge manure disposal.
thus, the artist attempts to dismantle and re-deployment of knowledge and information through a variety of artistic media and transformation of space.
knowlege and informaton ,such as today's flood era,humans have drifted into estuaries rather than the spirit of the fragmented mental and alienation, and the uncertainty and anxiety.
thus for 1meter high 30 hangeotyi expressing conscious cm size is the central installation space.
inde fragments of consciousness and fragmented knowledge on the box in their work, such as pouring down to the ground like material,to adhere the shredded paper to the gypsum and waterbased binder is a colored with ink.
if you admire the work of these walls and enjoy the work process becomes clearer understanding of the context.
at first glance, it is also deepening joao pride like a minimalist work of monochrome, in fact ,there are
the color field close to a flat tone and uneven mass sense,some of the tactile and the mass media in the form of ever crossing the figurative transformation,such as the reduction of shredded paper intermittently visible between jikjeok numbers or fragments of text and
paragraph it implied.
all of these works are filled with fragments of various passwords related to real life.
the exhibition hall will be installed at a regular interval of 30 points of work of 22 centimeters of vertical 30 centimeters of grey tones.
the other wall will be installed with a 30-issue,10-size black,grey, white, and red-colored stereoscopic grid.
the sadistic grid was originally in the early 1960s, when painters and sculptors doing abstract and non-relational are were in harmony with the logic,
it was the choice of a neutral structure or tool for unity.
however, the grid met in the work of the artist is the same as the sheet music that expresses the state of mind and the color emotion,
it is read as a device that faces another text after a layered car and miscellaneous text dissolution of the bachelor-of-hand taste.
3) harmony of modern formative senses of oriental psychiatry
the artist, who participated in the kunthe art fair of swiss chuhi, held the 24th circuit this year,was also very popular in the same art fair.
this was the only participation in the orient,
in that respect, the reason for the oriental art of the artist will be flattering.
it is now the era when many artists have crossed the gap between the eastern and western art spirit.
this is the era in which the artists are fused together beyond the gap between the eastern and western art spirit.
In spite of being social message ,it is noteworthy that we use mainly in oriental tradition to eat the mental depth and the modern sense that the color of the universe is fed.
we look forward to being able to meet many of the works of harmony between the western and the art.
jangmijin(Professor of Fine Arts, Daegu Catholic University doctoral program)
